Home | Latest News | Contact Us | »»» Trailer
“The music of Solos is the language of the film itself.”
- Sound Engineer / Music Composer Darren Ng

About The Film | Soundscape | Cast and Crew | Interviews | Producers' Notes | Gallery
       
   
 
Soundscape
 

Music and Sound: The Heart of the Film

“I had chosen to design something that runs subliminally and only becomes more
apparent at strategic points” -- Music producer Darren Ng

Music is the integral part of SOLOS as it is always in parallel with the characters and what happens to them. It simply represents the story itself, the characters and the constant struggle of their oxymoronic lives. Each pivoting scene has its own soundscape and atmospheric music that signify the visual and the conflicts.

“While composing the music for SOLOS, I had to keep in mind that I did not have to try too hard to say something with the music or any sound, which may result in overstating certain themes or emotions or even with an over saturation of a message. The biggest challenge was keeping in mind the aesthetics of the film, when making the right decisions of when and where putting in the music, as well as choosing the themes of the different music parts.” explains Darren. “Finally, I had chosen to design something that runs subliminally and only becomes more apparent at strategic points”

The pacing of the film was also very important in composing the music. Since there were minimum dialogues, Darren had to make sure that the music and sound are able to create enough momentum to sustain the audience, to build up a journey that runs along with the plot and its sub-plots and to become the language of the film itself.

 


“The creation of the music itself was a synergy of ideas. My main inspiration came from SOLOS’ story and visual but I also drew inspiration from other films, such as Eternal Sunshine Of The Spotless Mind (2004) and Last Life in the Universe (2003)” adds Darren.

---
Darren Ng – Sound Engineer / Music Composer

Darren Ng is a sound artist whose Ethereal-Ethno-Electronic sound-bytes have established him as one of the most sought-after sound designers/music composers and arrangers in the local theatre scene. With two nominations under his belt, he won the coveted award of Best Sound Designer at the recent 6th Straits Times Life! Theatre Awards 2006. He was also the recipient of the Honorable Mention for Special Achievement, for Best Sound, at the 5th Straits Times Life! Theatre Awards 2005.

Darren was the first sound artist invited by the Asian Civilization Museum (Empress Palace) to design the audio of the museum’s closing event of Journey of Faith, Art & History from the Vatican Collection.

To date, the National University of Singapore Theatre Studies and Philosophy graduate has worked on Death and the Maiden (Escape Theatre), Furthest North Deepest South, and Twisted (The Finger Players), to name a few. He is currently involved in a sound installation project with the Singapore History Museum.

Interview with Darren Ng